chamber ensemble
- work in progress - for ~Nois saxophone quartet; to be premiered in 2018
- String Quartet no. 1 - for ELIXIR Baroque String Quartet; 2018
- what is dark is not always lightless - for violin, cello, flute, bass clarinet, piano, percussion, and transducer speakers; 2017
- fleeting - for english horn, cello, vibraphone, and trombone; 2017
- all is well, but there is a virus in my brain and it is slowly eating me alive - for viola, alto flute, and harp; 2016
- ...as it passes (in the stillness) - for alto saxophone, piano, viola, cello, and double bass; 2016
solo
- petal by petal - for solo harp and laptop; 2018
- what emerges from your hiding places - for solo cello; 2017
- improvisation for cello and electronics no. 1 - for cello and max patch; 2017
- improvisation for cello and electronics no. 2 - for cello and effects pedal; 2017
duo
- She Holds the Sun in Her Mouth - for mezzo soprano and harp; 2018
- Refraction Samples - for baritone saxophone and piano; 2016
- duo for violin and cello no. 2 - 2016
- duo for violin and cello no. 1 - 2016
- nothing gold - for voice and piano; 2015
large ensemble
- not in silence, but restraint - for solo horn, clarinet, flute, violin, viola, cello, double bass, and percussion; 2017
electro-acoustic
- petal by petal - for harp and live electronics; 2018
- what is dark is not always lightless - for violin, cello, flute, bass clarinet, piano, percussion, and transducer speakers; 2017
arrangements
- Vier Kliene Klavierstücke für Große Orchester - Franz Lisz; for full orchestra, 2017
- I Felt a Funeral in my Brain - Aaron Copland; for string orchestra, 2016
- 6 Bagatelles - György Ligeti; for wind quintet, 2015