works by instrumentation
+click on titles for info and recordings
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ensemble (7+ performers)
one day your body will fill with light and you will be whole again (2024)
(flute, alto saxophone, accordion, harp, piano, violin x2, viola, cello) for .abeceda ensemble, 14’
sun-stilled (2024)
(e.gtr, flute, saxophone x2, clarinets x2, cello, double bass, piano, and percussion) for zone expérimentale basel, 12’
flowers which bloom from blackened earth and poisoned air (2023)
(flute/piccolo, bass clarinet/clarinet, bassoon, violin x2, viola, cello, piano, percussion, and tape) for Broken Frames Syndicate, 22’
YOU LOOK INTO THE SUN (2021)
(for flute, clarinet, tenor saxophone, violin, viola, cello, and percussion), 8’
they condemn that which they do not understand (2020)
(for flute, clarinet, violin, viola, cello, piano, mixed percussion), 8’
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chamber (3-6 performers)
echoes within me (2025)
(string quartet and saxophone), for .abeceda ensemble, upcoming june 2025
the ache of desire burns a thousand years (2025)
(low string trio) for Cat in Black, upcoming april 2025
echoes, traces, spectres (2025)
(x2 piano, x2 percussion, electronics) for Yarn/Wire, upcoming february 2025
the places where birds sing freely (2024-2025)
(voice, flute, clarinet, cello, electronics, + video) for Ensemble Cerrado, upcoming 2024-2025
part of the Voices of the Pantanal project with William Teixeira
WOLF (2023)
(string trio, harp, saxophone, and electronics) for .abeceda ensemble, 12’
volatile horizon (2023)
(bass flute, bass clarinet, viola, e-guitar, electronics) for collective lovemusic, 12’
something buried in the earth, (2023)
(percussion trio) for line upon line, 13’
ghosts & monsters (2021)
(baritone voice, trumpet, bass clarinet, trombone, and fixed media), premiered by Loadbang Ensemble 2021 in New York City, 7’
c a s c a d e s (2021)
(string quartet, live electronics, and video), 15’
even the words that we are speaking now (2018)
(soprano saxophone quartet), premiered by ~Nois saxophone quartet September 2018 at Constellation, 10’
String Quartet (2018)
(baroque string quartet), premiered by ELIXIR Baroque String Quartet July 2018 at Banff Centre for the Arts and Creativity, 11’
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duo
that we may time transcend (2024)
(microtonal accordion duo) for Duo XAMP, 6’
threshold of our fragile body (2023)
(violin and cimbalom) for Lamnth, 14’
nacreous (2021)
(violin and cello) for Four Corners Ensemble, 5’
the tiger bares its teeth (2019)
(bass clarinet and percussion), premiered by Kyle Flens and Katie Schoepflin Jimoh August 2019 at Constellation, Chicago, 9’
She Holds the Sun in Her Mouth (2018)
(mezzo soprano and harp), premiered April 2018 by Micah Gleason and Ben Melsky at Sherwood Concert Hall, 6’
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solo
the color of pomegranates (2023)
(piano solo) for Adam Torres, in progress
rift-haze (2023)
(bassoon + electronics) for Ben Roidl-Ward, 10’
contaminant (2022-23)
(cello, electronics) for William Teixeira, 9’
bluet (i): aporia (2021)
(solo cello), 13’
the geography of pleasure (2021)
(for resonating body, vibrator, and electronics) , variable length
an eclipse, a rapture (2020)
(solo performer and four table top e-guitars) written for Aaron M. Butler, variable length at least 14’
petal by petal (2018)
(harp solo and electronics), premiered by Ben Melsky April 2018 at Sherwood Concert Hall, 10’
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electro-acoustic
flowers which bloom from blackened earth and poisoned air (2023)
(flute, bass clarinet, bassoon, 2 violin, viola, cello, piano, percussion, electronics) for Broken Frames Syndicate, 22’
16 psyche (2023)
(bassoon + electronics) for Ben Roidl-Ward, 10’
WOLF (2023)
(string trio, harp, saxophone, and electronics) for .abeceda ensemble, 12’
volatile horizon (2023)
(bass flute, bass clarinet, viola, e-guitar, electronics) for collective lovemusic, 12’
contaminant (2022-23)
(cello, electronics) for William Teixeira, 9’
ghosts & monsters (2021)
(baritone voice, trumpet, bass clarinet, trombone, and fixed media), premiered by Loadbang Ensemble 2021 in New York City, 7’
the geography of pleasure (2021)
(for resonating body, vibrator, and electronics) , variable length
c a s c a d e s (2021)
(string quartet, live electronics, video) to be premiered by the UW Modern Music Ensemble in 2021, 15’
petal by petal (2018)
(harp solo and laptop), premiered by Ben Melsky and Darcy Copeland April 2018 at Sherwood Concert Hall, 10’
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acousmatic
cybernetic witch song (2023)
(video), 6’
metastasis (2021)
(fixed media) 6’
primal tongue (2021)
(fixed media) 5’
elegy (2020)
(fixed media) 3.5’